|Senate House, London.|
|Image from 1984 film.|
|Start of the conference.|
In other cases, they took an unusual perspective on the topic, like Marta Frago’s “The city as mirror of dreams in the new political biopic”, which dealt with the connection between the city and representative figures (kings, queens, politicians) as portrayed in films like The Queen and The Iron Lady, or Johannes Fehrle’s “The Post-Apocalyptic City as Jungle in SpecOps: The Line” which focused on a videogame adaptation of Joseph Conrad’s Heart of Darkness and Francis Ford Coppola’s Apocalypse Now.
|Slide from my paper.|
There were many papers I was interested in but could not go to, like Dario Lolli's "Tōkyō, Capital of Postmodernity?”, Christophe Collard’s “Refracted Remediation: Pyncheon’s Brussels As Liminal Milieu”, José Duarte’s “Everything becomes chaos – Gotham as vision of the contemporary city” and Laura Fryer’s “Absorbing the world of others: Ruth Prawer Jhabvala’s adapted screenplays and presentations of cities”.
|The conference programme.|
What about my paper, “Kinetic lines, embodied perspectives: Martha Graham's Lamentation and the City of New York”? Well, I am pretty glad about it. It was scheduled for the afternoon of the first day in a beautiful room on the third floor. I had some problems with my powerpoint and was a little nervous, but I talked through all its most important aspects, was able to show all the photographic and audiovisual material I intended to show, and received cool and at times thought-provoking feed-back.
On day two, I was particularly mesmerized by the conversation between two historic figures, screenwriter Andrew Davies and former Head of BBC Drama, Jonathan Powell. It was like listening to history directly talking to us, and very informative of the way things work within television programming. The conference dinner was at Antalya Restaurant, a Turkish restaurant nearby and the buffet lunches and coffee breaks at Senate House during the two days were delicious.